I was inspired to create this album by a scene from the movie Vicky Cristina Barcelona by Woodie Allen. The painter Juan Antonio suggested that they listen to the guitar in the evening. I thought what would I play for a painter on an acoustic guitar without a looper, Ableton live and other effects that are part of my guitar sound. I decided to
I was inspired to create this album by a scene from the movie Vicky Cristina Barcelona by Woodie Allen. The painter Juan Antonio suggested that they listen to the guitar in the evening. I thought what would I play for a painter on an acoustic guitar without a looper, Ableton live and other effects that are part of my guitar sound. I decided to visit Barcelona and find such a guitarist and get inspired. I sat by the Magic Fountain of Montjuïc and listened to a flameco guitarist. I started to think about how I would play like this on the street. I can't play classical or flamenco. I had to differentiate myself somehow. I decided to record spontaneous acoustic guitar compositions on one microphone and cable on strongly undertuned strings (In one piece is Whammy pedal).
Like I was playing on the street. You can hear me breathing and screaming on the album.
I used Lexicon reverb and Adaptiverb. The result is 13 spontaneous compositions, which I would call Soundtrack art. This is how the director of the belvedere gallery in Vienna named my music.
!!!You will have the best musical experience with headphones!!!
Dedicated to my kitty Ozzy.
SUPPORT ME: https://paypal.me/DavidKollarMusic
Like I was playing on the street. You can hear me breathing and screaming on the album.
I used Lexicon reverb and Adaptiverb. The result is 13 spontaneous compositions, which I would call Soundtrack art. This is how the director of the belvedere gallery in Vienna named my music.
!!!You will have the best musical experience with headphones!!!
Dedicated to my kitty Ozzy.
SUPPORT ME: https://paypal.me/DavidKollarMusic
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Tears in elegance 5:220:00/5:22
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Resonating regret 3:500:00/3:50
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0:00/3:19