I received a package in the mail in which a line was drawn. The envelope was sent to me by Michal Kořán. It also contained a cover letter that La Monte Young had sent to various musicians in 1960, asking them to set the line to music. The piece is called Composition #9.
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“Over time David and Arve managed to create a specific sound language of their own, which is beautifully reflected in this recording. It goes way beyond just the music, and could be very well described as sound painting, sound sculpting or perhaps sound dancing, with its cross-media concept, that it creates, at least in my perception.
The music
The music
“Over time David and Arve managed to create a specific sound language of their own, which is beautifully reflected in this recording. It goes way beyond just the music, and could be very well described as sound painting, sound sculpting or perhaps sound dancing, with its cross-media concept, that it creates, at least in my perception.
The music flows unhurried, as if freed from the fourth dimension and rhythmic patterns, like wind, which blows gently and unpredictably. It is up to the listener to become part of the process of creation and setting the pace, by which these sound collages take shape within or between the brain cells.
The beauty of this music is like an elixir, which hopefully might cure or at least reduce the suffering, to which all of us are exposed in the world that surrounds us: loneliness, estrangement, desperation, futility… destiny? Music, after all, makes life worth living. As always, the magicians / alchemists behind this sound potion have my eternal gratitude.”
Adam Baruch, Jazz forum
(Album dedicated to Jozef Tkáč, Marta Tkáčová, Barbora Cienka, Andrej Migaš and little Alma)
The music flows unhurried, as if freed from the fourth dimension and rhythmic patterns, like wind, which blows gently and unpredictably. It is up to the listener to become part of the process of creation and setting the pace, by which these sound collages take shape within or between the brain cells.
The beauty of this music is like an elixir, which hopefully might cure or at least reduce the suffering, to which all of us are exposed in the world that surrounds us: loneliness, estrangement, desperation, futility… destiny? Music, after all, makes life worth living. As always, the magicians / alchemists behind this sound potion have my eternal gratitude.”
Adam Baruch, Jazz forum
(Album dedicated to Jozef Tkáč, Marta Tkáčová, Barbora Cienka, Andrej Migaš and little Alma)
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0:00/5:23
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0:00/4:27
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Dreams 5:420:00/5:42
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Pledges 3:390:00/3:39
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Friendship 1:120:00/1:12
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0:00/8:51
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The Sky 2:070:00/2:07
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The Wish 1:170:00/1:17
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The Hope 2:110:00/2:11
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Under the shelter 2:190:00/2:19
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Before the rain 4:340:00/4:34
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Remaining memories 1:140:00/1:14
It was not easy to devote myself to composing music when 92 km from my town the war is raging in Ukraine.
The Vision Man is the music for the radio play prepared by Slovak Radio. It is a play about the dead river Ipeľ, in which life has completely washed away. I had 4 days to compose the music. Doing music for a text is something completely
The Vision Man is the music for the radio play prepared by Slovak Radio. It is a play about the dead river Ipeľ, in which life has completely washed away. I had 4 days to compose the music. Doing music for a text is something completely
It was not easy to devote myself to composing music when 92 km from my town the war is raging in Ukraine.
The Vision Man is the music for the radio play prepared by Slovak Radio. It is a play about the dead river Ipeľ, in which life has completely washed away. I had 4 days to compose the music. Doing music for a text is something completely different from doing music for a film. It feels like 2D to me. You can't use music to push the lyrics of a radio play. The music is very quiet in it and underscores the text. I have decided to post these 17 samples of the music that I have prepared in my little studio.
Thank you for your support.
Sincerely, David
The Vision Man is the music for the radio play prepared by Slovak Radio. It is a play about the dead river Ipeľ, in which life has completely washed away. I had 4 days to compose the music. Doing music for a text is something completely different from doing music for a film. It feels like 2D to me. You can't use music to push the lyrics of a radio play. The music is very quiet in it and underscores the text. I have decided to post these 17 samples of the music that I have prepared in my little studio.
Thank you for your support.
Sincerely, David
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T.V.M. Opening 4:480:00/4:48
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T.V.M. River 0:520:00/0:52
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T.V.M. Bird 1:440:00/1:44
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T.V.M. Bear 3:020:00/3:02
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T.V.M. Worker 1 1:130:00/1:13
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T.V.M. Toxic Animal 3:460:00/3:46
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T.V.M. Eufrozina 3:200:00/3:20
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0:00/3:54
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T.V.M. Metella 6:320:00/6:32
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T.V.M. Machilla 2:400:00/2:40
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T.V.M. Worker 2 2:040:00/2:04
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T.V.M. Worker 3 2:200:00/2:20
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T.V.M. Forest 2:520:00/2:52
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T.V.M. Water 2:010:00/2:01
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T.V.M. Mufurc 4:560:00/4:56
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T.V.M. Brehula 2:280:00/2:28
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T.V.M. Ending 4:400:00/4:40
The Best Jazz album by Esprit
The Best Jazz album Radio Head Awards
Nomination for The Best Experimental album Radio Head Awards
The Best Jazz album Radio Head Awards
Nomination for The Best Experimental album Radio Head Awards
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Word for word 1:580:00/1:58
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Covidication 4:410:00/4:41
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Morphing diagnosis 2:210:00/2:21
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Catalunya 2:110:00/2:11
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Keep Distancing 5:000:00/5:00
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0:00/3:37
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Ceasura transparent 1:560:00/1:56
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Bowed heart 2:200:00/2:20
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0:00/2:24
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Social breathing 3:440:00/3:44
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Lonely man 2:330:00/2:33
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Modular breathing 3:310:00/3:31
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Bacteria vs virus 3:470:00/3:47
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Abbastanza strada 2:420:00/2:42
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Unexpected state 2:030:00/2:03
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In absentia 3:500:00/3:50
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Life vs Death 4:040:00/4:04
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In the near future 3:450:00/3:45
THE BEST JAZZ ALBUM by Radio Head awards.
Nomination for the best album by Tatrabank foundation
The album is dedicated to Andrej Tarkovsky and Jozef Kukura.
I started to work on the album from October 2018. My initial ideas were sent to Eric Truffaz. Gradually, I engaged Arve Henriksen, Pat Mastelotto and Christian Fennesz in the process of
Nomination for the best album by Tatrabank foundation
The album is dedicated to Andrej Tarkovsky and Jozef Kukura.
I started to work on the album from October 2018. My initial ideas were sent to Eric Truffaz. Gradually, I engaged Arve Henriksen, Pat Mastelotto and Christian Fennesz in the process of
THE BEST JAZZ ALBUM by Radio Head awards.
Nomination for the best album by Tatrabank foundation
The album is dedicated to Andrej Tarkovsky and Jozef Kukura.
I started to work on the album from October 2018. My initial ideas were sent to Eric Truffaz. Gradually, I engaged Arve Henriksen, Pat Mastelotto and Christian Fennesz in the process of creation. I also played my sketches for Peter Popelka, a painter, who has an atelier above my studio. We were holding endlessly long academic conversations on creation and art. That's why I decided that the album cover should undoubtedly be made by him. Sculpting in Time is inspired by Andrej Tarkovsky's theory that a movie itself is sculpting of time sculptures. I perceive it similarly in music. These 14 tracks on the album are my time sculptures of what I went through last year.
I would like to thank all the musicians participating in the album. I thank Erik Truffaz for the opportunity, Arve Henriksen for being a bottomless well of inspiration, Pat Mastelotto for his giant and always helpful heart. I thank Christian Fennesz for his time and musical structures. I thank my family Janka, David and Barbara for their patience, I thank Jan Sudzin for always telling me "let's releaset it, David". I thank Marek Sálka, Vlado Kačala, my father, Peter Ondruš, Valer Dugas, Tomáš Mutina, Valerij Kupka, Peter Michalovič, Blanka Berkyová for their trust and support and last but not least all the people who were close to me during this creative period.
Nomination for the best album by Tatrabank foundation
The album is dedicated to Andrej Tarkovsky and Jozef Kukura.
I started to work on the album from October 2018. My initial ideas were sent to Eric Truffaz. Gradually, I engaged Arve Henriksen, Pat Mastelotto and Christian Fennesz in the process of creation. I also played my sketches for Peter Popelka, a painter, who has an atelier above my studio. We were holding endlessly long academic conversations on creation and art. That's why I decided that the album cover should undoubtedly be made by him. Sculpting in Time is inspired by Andrej Tarkovsky's theory that a movie itself is sculpting of time sculptures. I perceive it similarly in music. These 14 tracks on the album are my time sculptures of what I went through last year.
I would like to thank all the musicians participating in the album. I thank Erik Truffaz for the opportunity, Arve Henriksen for being a bottomless well of inspiration, Pat Mastelotto for his giant and always helpful heart. I thank Christian Fennesz for his time and musical structures. I thank my family Janka, David and Barbara for their patience, I thank Jan Sudzin for always telling me "let's releaset it, David". I thank Marek Sálka, Vlado Kačala, my father, Peter Ondruš, Valer Dugas, Tomáš Mutina, Valerij Kupka, Peter Michalovič, Blanka Berkyová for their trust and support and last but not least all the people who were close to me during this creative period.
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Tendre Lundi 4:130:00/4:13
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At Dusk 4:050:00/4:05
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A.T. 4:090:00/4:09
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Episode 1. 0:560:00/0:56
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Sick Doll's dream 5:000:00/5:00
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Episode 2. (Johan) 2:480:00/2:48
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Deeper to the Fog 2:000:00/2:00
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The Path 3:130:00/3:13
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Episode 3. 2:120:00/2:12
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Reflections 6:140:00/6:14
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Sunlight 5:060:00/5:06
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Prisoner of Time 5:140:00/5:14
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B. 639 3:210:00/3:21
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Balada for Jozef 3:460:00/3:46
Nomination for the best word music album by Radio head awards
Bonus: Poems by Valerij Kupka
Bonus: Poems by Valerij Kupka
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0:00/2:38
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0:00/2:34
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0:00/2:32
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0:00/3:02
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0:00/1:38
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Falling Stars 0:440:00/0:44
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0:00/2:03
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Somewhere Out There 2:340:00/2:34
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0:00/1:22
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0:00/4:38
Erik became my musical friend. I send him everything I record and we have a musical dialogue at a distance. Sonic Pulses is my last album I released in a pandemic. Erik decided to record the trumpet in two pulses. I share those with you.
This music was composed in real time. 4 days a week I layered a baritone guitar and strings. The first layer decided on the length of the song. Then I recorded another 3 layers. In the final, each song has 4 layers recorded in a row.
I recommend listening to this music alone with your eyes closed from start to finish.
Music based on the use of
I recommend listening to this music alone with your eyes closed from start to finish.
Music based on the use of
This music was composed in real time. 4 days a week I layered a baritone guitar and strings. The first layer decided on the length of the song. Then I recorded another 3 layers. In the final, each song has 4 layers recorded in a row.
I recommend listening to this music alone with your eyes closed from start to finish.
Music based on the use of drones, or the delays that need to be archetypal for Japan, India and Australia, spread in Europe in the 20th century thanks to minimalism, alternative rock and electronic music. But since 1958, when the American La Monte Young introduced his Trio for Strings, a lot of water has passed. Through John Cale, Terry Riley, Klaus Schulz, Brian Eno, the Biosphere, but also George Crumb and his Black Angels and Henry Górecký's string quartets, the drone has spread to contemporary progressive music. But only some can use it freshly and with extraordinary suggestion. Listen to new "coronavirus" recordings by David Kollar. They will penetrate all the pores of your body, shake you, fill you with humility and defiance, heal and arouse ...
Jan Hocek
(Jazzport, HIS Voice, skjazz.sk)
Supported by Music Fund Slovakia
I recommend listening to this music alone with your eyes closed from start to finish.
Music based on the use of drones, or the delays that need to be archetypal for Japan, India and Australia, spread in Europe in the 20th century thanks to minimalism, alternative rock and electronic music. But since 1958, when the American La Monte Young introduced his Trio for Strings, a lot of water has passed. Through John Cale, Terry Riley, Klaus Schulz, Brian Eno, the Biosphere, but also George Crumb and his Black Angels and Henry Górecký's string quartets, the drone has spread to contemporary progressive music. But only some can use it freshly and with extraordinary suggestion. Listen to new "coronavirus" recordings by David Kollar. They will penetrate all the pores of your body, shake you, fill you with humility and defiance, heal and arouse ...
Jan Hocek
(Jazzport, HIS Voice, skjazz.sk)
Supported by Music Fund Slovakia